As there are many artists working on a particular scene, it is important to match colors to the shots already created. The colors you paint often look different on the computer screen. And the color matching is done based on how it looks on the screen. Depending on the length of the shot, paints are prepared in good volume and stored in the plastic jars, labelled as they are used- Lights and darks for the skin, jackets, etc. And we use the same throughout the shot.
My workstation after first month:
Second and third shot:
It was my first time in Poland and the life in Gdansk had been very pleasant. The city itself is very beautiful and conductive to art. The architecture of the old town has Dutch influence and is fascinating. Gdansk is the port city of Baltic coast, and there are beautiful beaches and green forests. At the beginning, when the workload was less, we would go to the beautiful beaches every weekend. We walked by the side of a forest on our way to work, where we picked apples and cherries for breakfast. It was a good life and being from Mumbai this was all so beautiful and amazing to me. It was wonderful working with the team of artists from all over the world, many who I can call dear friends made me feel like I had a family in Poland.
Daily commute to work by the sides of forest with Sara and Setareh, my roommates.
This has been such an enriching experience for me, for the people I met, the city and the film itself.
Following one’s dreams and passions is always very fulfilling, and support and a little encouragement coming at the right moment, can often change everything. My journey from beginning as a software engineer to traveling and working on the world's first fully hand painted feature length animation film has been quite adventurous and rewarding, with its highs and lows; and I have learnt to be true to myself, despite all the contradictions to what our culture and traditions dictate. And by sharing our journeys, we inspire others to be courageous and follow their own dreams. I am forever grateful to people in my life who have encouraged me to hold onto my dreams, no matter how rough the path looked like in the beginning.
Thank You for reading.
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More photos
Our first hostel room in Willa Nobla, quite close to the studio. Sara says it's like a bohemian belief, that you start and finish at the same place.. We were given accommodation here during our training days and we returned here when our apartment lease finished.
Day of the double rainbow- while walking to Anna and Michal's house, before moving to the apartment at Budapestanzska.
Hel beach.
At Anna's house
Getting ready for the show 'Diversity' at Piwna street.
Sara and Setareh in the Studio kitchen
Instagram posts-
Post by Dorota Kobiela, co-writer and co-director, 'Loving Vincent'.
Post by Hugh Welchman, co-writer, co-director and co-producer, 'Loving Vincent'.